I heard a report on the radio about a company that would put all of your CDs on to MP3s, saving you the trouble of lugging all those heavy CDs around when you moved. I guess it is the latest technological “transfer”. When my oldest son was born, we invested in a very state-of-the-art Super 8 mm movie camera. Took lovely 3 minute film strips. Not a couple of years later, videotape cameras came into use. Friends and family took all their old filmstrips and had them reprocessed into videotapes. Now you could watch the family grow up Christmas after Christmas, all on one videotape. I hope that, if you did this, it was on VHS and not Beta! Now all of those old VHS tapes are being copied onto DVDs.
So, this change of media is nothing new; it just happens more rapidly. I started thinking, with the CDs onto MP3s, whether a CD collection was as bulky as a record collection. Surely, not. Obviously the CDs themselves are much smaller than 12-inch LPs; the jewel cases may be a bit thicker than record jackets, but their smaller size must compensate for that. I assume that everyone knows what 12-inch LPs (records) are. Vinyl disks? The things that DJs scratch back and forth with special turntables? Regular turntables – oh yes, I have a very nice Bang and Olufsen Beogram with an arm that goes across the record rather than pivoting. Very pleased with it when I got it a few years before CDs came out. But, then again, I still have records that I can play on it. I don’t, but I could. I’m sure.
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78 records, while vinyl, were an older fashioned kind, not somewhat flexible like 33s, but rigid and thick. And brittle after a while. At one time when I was, probably, a young teenager, my father decided to get rid of a bunch of old 78s, many of which had cracks, and discovered that they would (pretty much) break when banged on my head. Not too hard, you understand, and good preparation for smashing beer cans on my forehead a few years later! Luckily, he didn’t break them all. Some of the albums most fixed in my brain are still there in the cabinet. They would probably be scratched a reedy and thin (remember these were all monaural, not stereophonic), but they would be great. I know that Josef Marais and the “Songs of the South African Veldt” is still there, as is “Songs of Free Men” by Paul Robeson and another album of songs of the Abraham Lincoln Battalion, the Americans who fought on the (losing) side of the Spanish Republic against Franco’s fascists, along with the other members of the International Brigades in the Spanish Civil War of 1936-38. One disk had a label stuck on it that said, in Spanish “the noises on this recording are due to the electrical interruptions resulting from the bombings”.
We also still have, I am pretty sure, Robeson’s recording of “Ballad for Americans” by John LaTouche and Earl Robinson (and produced by the recently-deceased Norman Corwin), which, according to the Wikipedia entry, “In the 1940 presidential campaign it was played at both the Republican National Convention (by white baritone Ray Middleton) and that of the Communist Party”. (We also have Odetta’s rendition, on both LP and CD). And Burl Ives. And a recording of “La Boheme” featuring Victoria de los Angeles as Mimi and Jussi Björling as Rodolfo, one of my mother’s favorites. And, of course, as I was reminded the other day listening to a talk on the history of the NY Yankees, the Brooklyn Baseball Cantata, by George Kleinsinger, performed by Robert Merrill (available on YouTube as Part 1 and Part 2).
And, in case you’re wondering, while I did have a child’s 78-only record player (“Tubby the Tuba” and Tex Ritter cowboy songs), no, I don’t go back as far as wax cylinders or gramophones with conch-shell-shaped speakers. And, to be honest, if saving CDs to MP3s saves weight, think of the weight-saving benefit for 78s!